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王珑澔《精神艺术》思想及艺术风格赏析

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  核心提示:王珑澔《精神艺术》思想及艺术风格赏析 于一 文一:王 珑 澔 的 艺 术 观 解 读艺术家通过个人精神化的艺术语言,表达艺术家本人对人性,生死,环境的关注和对生命意义的思考,研究中国文化艺术发展的新思想和新形式, 艺术家本人...

 

王珑澔《精神艺术》思想及艺术风格赏析

 于一  

一:王 珑 澔 的 艺 术 观 解 读

    艺术家通过个人精神化的艺术语言,表达艺术家本人对人性,生死,环境的关注和对生命意义的思考,研究中国文化艺术发展的新思想和新形式, 艺术家本人认为中国艺术在主流风格和总体倾向上应坚持民族文化根基和内在精神,在后现代主义艺术思想的国际的语境中发掘中国文化艺术的新精神、新生命、新形态,新观念,中华民族独特的文化传统底蕴,是艺术家们艺术创作基础,融入当下世界先进文化艺术思想是中国当代艺术发展的时代精神。

 艺术家作为艺术创作的主体,生活在不同的时代、必然受到时间、空间、地域环境,以及自身修养等因素的影响而形成艺术家的艺术创作思想精神反映和个人化的艺术风格,由此产生不同的艺术精神,哲学理念和审美取向。后现代艺术趋向精神性的表达似乎成为人的最好的创造方式或逃避现实与精神需求的不统一,成为现代人的精神寄托。当代艺术成为人与现实的抗争,是生命意义的精神诉求,而那种将后现代艺术套用传统审美观视为反叛社会的“怪兽”,是不客观的和愚蠢的。后现代艺术精神就是要力图给沉沦于后现代科技文明造成的生存环境日益恶化的非人性化境遇中的精神迷失的人们带来思想反思,给在异化现象日趋严重的客观世界中吟痛的灵魂震颤后的精神安慰,叩问有限的生命如何寻得自身无限的存在价值,正如柏拉图所说:唯有艺术才能救黩正在不断失落的人类感性诗意化生命。后现代艺术不懈求新求异求变化,其目的是希望通过艺术创造觉悟生命所带来精神理想,这就是后现代艺术中所传达出的艺术精神。总体上看,每一种文化都有自己的遗传基因。“人生意义就在于追问个体存在的生命意义,否则人与兽的存在方式就没有什么区别了”,人类善于用艺术形式进入对人性精神追求的诠释,这种感性的审美方式有别于其他,如哲学、科学和宗教。

二: 王 珑 澔 的 艺 术 风 格 解 读

当代艺术精神是对现实世界所提出的问题的一种感性的表现,使人可以在天马行空的精神空间和客观现实中穿行于两个不同的时空,达到人格心灵的净化和精神安慰。当代艺术精神本质是对现实的强权的反抗,希望摆脱压制人性自由思想的意识形态和桎锢人的现实秩序,以新艺术表现形式来否定强权让艺术沦为其奴仆,精神化的文化艺术思想为人类精神开拓出一片艺术自由的新天地,拒绝强权和现实强加于自己的法则和章法,坚持对生命存在意义自由思考和对客观世界的理解和个人追求。

   艺术家为自己的艺术取名为“精神性艺术”,事实上它仍然是无法解脱与现代主义艺术的联系,只是这种继承与呈现是以艺术表现形式的反叛姿态出现的,当一些僵化的艺术形式走到极端的时候,必然会否定式回归,艺术家认为艺术的精神性是艺术表达最高境界,艺术家的作品关注自然和社会和生命存在的意义,是精神哲学和思想者层面上的艺术,通过视觉艺术表现形式揭示出隐藏在精神自由深处的美,附艺术以哲理性和思想性,王珑澔先生作品表现的凝重感的,夸张的,甚至神经质的画面肌理,是艺术家“感觉到的一般人未被发觉的精神层面的东西”,其作品展示于观众的面前,颠覆欣赏者的视角定势达到精神呈现的艺术目的,这种艺术创作物象变形远离过去人们对抽象主义教条式理解,画面形象的抽象变形,突出了艺术创作的独立性,实现了反判视觉表像上的那种惯性审美取向,从而体现了艺术家对艺术教条自由的否定,死亡的不是艺术绘画形式本身,而是过时的绘画艺术思想对人的精神和表达语言枷锁。

当一艺术些思想和语言由极至而走向贫乏之后,另一些艺术精神和艺术语言必然以反叛者的姿态取而代之,从而推动人类文化艺术思想向前发展。

 

                           201810

 

附:

《王 访 录》

 

王珑澔:我提出的《科学与艺术精神性艺术创作理论》艺术观念:艺术与科学是相通的,都是人类对宇宙和生命认识的解读过程,只是方法不同,一种趋于理性一种趋于感性,人类之所以伟大源于其精神性,艺术最需要的是天赋个性,假如沉浸于远离精神的客观物质世界中的经验感受是片面的,注定陷入玩技巧的所谓主流文化“匠人”范畴,对于追求艺术的精神性呈现而言,探寻宇宙生命本质和人类内心世界才是艺术创作的真正目的和发展方向,精神性艺术创作是需要艺术家思想自由和艺术表现创作行为自由为前提,以创作表现生命在多维度宇宙的存在意义的思考艺术呈现,也可以认为是人类追求科学进步的思想先行者。

 

 

《王 历》

      王珑澔,艺术学士,四川美术学院油画专业毕业,天津美术学院油画高研班结业,北京中国当代艺术联盟精神艺术学会会长,中国人民网书画学术委员会委员,中国新野性艺术家,财富精英商会艺术顾问,中国当代艺术联盟成员, “精神艺术空间”创始人,中国导向文化艺术研究院院长,重庆市美术家协会会员,2009获得中国艺术家百杰荣誉,作品2011年参加全国美术书法摄影联展获得全国美术作品二等奖,作品在中国国家博物馆展出,2012年作品获得政府艺术奖“乌江文艺奖”,作品入编2013年和2014年《中国当代艺术文献》,2015年参加《中国新野性艺术家作品2015世界巡回展》(美国纽约),2015年作品参加《威尼斯双年展•创造身份展》(威尼斯),2016年获全国《剑胆琴心》美术作品展获一等奖,2017年作品参加中国当代艺术联盟全国年度展优秀奖(上上国际美术馆),2018年全国100万公众投票获选中国最具创造力艺术家荣誉,获全国第二名,2018年作为特邀中国艺术家由美国,英国和澳洲悉尼等海外媒体推介,部分作品先后由国内外艺术机构,基金会,奢侈艺术品俱乐部,企业精英商会和高端收藏家收藏。

 

历》

2007 四川美术学院大学生素描展优秀奖作品选登在专业画册 (四川美术学院)

2007 四川美术学院大学生素描展《妇女》作品被学院收藏(四川美术学院)

2007年至今 二十件作品入选艺术数据网上画廊(艺术数据网)

2007年至今 三十件作品入选英国萨奇艺术网上画廊艺术展 (英国  萨奇艺术网)

2008 参加四川美术学院写生展,作品《里面外面》系列5件(重庆美术馆---重庆)

2009 入选《2009年中国艺术家年鉴》(北京)

2009 入选《13届四川美术学院年展》并获三等奖(重庆美术馆---重庆)

2009 入选《印象中国》(艺术书)

2009 入选《我们2009——黄桷坪年度艺术展》 108艺术空间---重庆)

2009 入选《全国美展重庆送选作品展》 (重庆美术馆---重庆)

2009 入选《108艺术空间秋季展》 108艺术空间---重庆)

2009 获选《2009全国书画百杰艺术家》 (人民网---北京)

2009 参加《非--架上艺术邀请展》(108艺术空间---重庆)

2010 入选《14届四川美术学院年展》(坦克库艺术基地---重庆)

2010 入选《 四川美术学院校庆展》(501艺术空间---重庆)

2010 入选《我们2010——黄桷坪年度艺术展》(黄桷坪美术馆---重庆)

2011 入选《2011年重庆黄桷坪第三届艺术展》(重庆  黄桷坪艺术区)

2011 获得全国艺术联展二等奖,作品2011年在中国国家博物馆展出(北京 国家博物馆)

2012 作品入选《中国当代艺术家名人辞典》 (北京艺术出版社)

2012 作品入选《中国书画家年鉴》   (中国书画出版社)

2012 作品参加重庆乌江美术作品邀请展    (重庆  滨江美术馆)

2012 应邀参加成都青城山“山外山”当代高端艺术品学术研讨活动  (成都  山外山美术馆)

2013 应邀参加新都美术馆“西南青年艺术家邀请展” (四川   新都美术馆)

2013 作品入选参加《中国梦-中国青年美术大展》(中国   天津)

2013 作品入选《2013年重庆美术作品展》 (重庆美术馆---重庆)

2013 作品选登在《中国犬业书》 (中国工作犬书社---南京)

2013 作者和作品入编2013年《中国书画家名录》 (中国书画家名录书---北京)

2013 作者参加《美术馆成立历年优秀书画作品展》 (重庆  滨江美术馆)

2013 作品参加《重庆2013年第四届艺术节优秀美术作品展》(重庆美术馆)

2013 作品入编《中国当代艺术文献》  (湖北美术出版社)

2014 作品入编2013年《中国书画家名录》(中国文联出版社)

2014 作品入编2014年《新野性艺术书》(中国书画艺术书出版社)

2014 作品参加2014年一季二季三季《中国新野性艺术群邀请展》(北京  罗丹国际美术馆)

2014 作品参加2014年《广东艺术节邀请展》  (广州   艺术博览会)

2015 作品参加《中国新野性艺术群艺术家作品2015世界巡回展》(美国纽约)

2015 作品参加猎天艺术馆《信念有理》首届微展览  (北京 猎天艺术馆)

2015 作品参加《全国起艺》全国互联网加线下36个城市巡回艺术展(北京、上海、香港、澳门、台湾等36个城市)

2015 作品参加2015年《威尼斯双年展•创造身份展》  (威尼斯)

2015 作品《精神上的风景》被重庆滨江美术馆收藏

2016 获选2015年《艺起来》全国年度艺术家

2016 作品入选《原野油画展》(国内互联网+线上线下)

2016 作品入选《迎面与撞见》当代青年油画展 (浙江美术馆)

2017 作品获得传奇《文华奖》

2017 作品获全国《剑胆琴心》美术作品一等奖 (全国巡回展)

2017 作品参加全国《2017年中国当代艺术联盟年度大展》优秀奖(北京上上国际美术馆)

2018 作品参加artbank艺术家国际推广展 《国际媒体》

2018 作品参加艺术世界《中国抽象力量30人展》《中国美术报》

2018 作品参加2018中外当代艺术家北京夏季艺术展  《北京 NL美术馆》

2018 作品参加全国100万公众投票获选中国最具创造力艺术家荣誉,获全国第二名。

2018 入选澳洲悉尼海外媒体特邀中国艺术名家

2018 中国《艺术频道》专访,凤凰,搜狐等艺术频道个人艺术创作专题报道。

2018 中国艺术收藏专业平台《八方百匠》专访艺术名家作品推介报道。

 


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Wanglonghao's "Spiritual Art" Thought and Art Style Appreciation
Yuyi
One: Wang Xiaoxuan's view of art and art
Through the artistic language of personal spirituality, the artist expresses his own concern for human nature, life and death, and the environment, and his thoughts on the meaning of life, and studies new ideas and new forms of the development of Chinese culture and art. The artist himself believes that Chinese art should adhere to the foundation and inner spirit of national culture in the mainstream style and overall tendency, and explore the new spirit, new life, new form, and new ideas of Chinese culture and art in the international context of post-modernist art thoughts. The unique cultural tradition of the Chinese nation is the foundation of artists 'artistic creation. It is the spirit of the times to integrate the advanced cultural and artistic thoughts in the world.
As the main body of artistic creation, artists live in different times and must be influenced by factors such as time, space, regional environment, and self-cultivation, and form artistic creative spirit reflection and personal artistic style. This leads to different artistic spirits, philosophical ideas and aesthetic orientations. Post-modern art tends to spiritual expression seems to be the best way for people to create or escape the unity of reality and spiritual needs, become the spiritual sustenance of modern people. Contemporary art has become a struggle between man and reality. It is a spiritual appeal for the meaning of life. It is not objective and stupid to regard post-modern art as a "monster" that opposes the society by applying traditional aesthetics. The spirit of post-modern art is to try to bring reflection to people who are lost in the impersonal situation caused by the deteriorating living environment caused by post-modern science and technology civilization. To comfort the soul after the tremor in the increasingly dissimilation of the objective world, we ask how limited life can find its own infinite existence value. As Plato said: Only art can save the human emotional and poetic life that is constantly losing. Postmodern art seeks new and different changes ceaselessly, its purpose is to hope to realize the spiritual ideal brought about by life through art creation. This is the artistic spirit conveyed in post-modern art. In general, each culture has its own genetics. "The meaning of life is to ask about the meaning of life of individual existence, otherwise there is no difference between the existence of man and beast." Human beings are good at using art forms to enter the interpretation of the spiritual pursuit of human nature. This perceptual aesthetic method is different from others. Such as philosophy, science, and religion.
Second: Wang Hao's art style interpretation
Contemporary artistic spirit is an emotional expression of the problems raised by the real world. It allows people to walk through two different space-time in the empty spiritual space and objective reality, and achieve the purification and spiritual comfort of the personality and soul. The spirit of contemporary art is essentially a revolt against the power of reality, hoping to get rid of the ideology that suppresses the idea of human freedom and the realistic order of the trapped people, and to deny power in the form of new art expression to make art its servant. Spiritual cultural and artistic thoughts open up a new world of artistic freedom for the human spirit, reject the laws and laws imposed on them by power and reality, and adhere to the free thinking of the meaning of life and the understanding and personal pursuit of the objective world.
The artist named his art "spiritual art." In fact, it is still unable to dissociate itself from modernist art. However, this inheritance and presentation appears as a rebellious gesture in the form of artistic expression. When some rigid art forms come to an extreme, they will inevitably return negatively. The artist believes that the spirit of art is the highest level of artistic expression. The artist's works focus on the significance of nature and society and the existence of life. It is the art at the level of spiritual philosophy and thinkers that reveals the beauty hidden in the depths of spiritual freedom through visual art expressions. With the philosophical and ideological nature of art, Mr. Wanglonghao's works show a sense of seriousness, exaggeration, and even neuroticism. The picture texture, It is the artist's "feeling that the average person has not been discovered at the spiritual level." His works are displayed in front of the audience, and the subversive viewer's perspective is determined to achieve the artistic purpose of spiritual presentation. This kind of artistic creation is transformed away from the dogmatic understanding of abstraction in the past. The abstract deformation of the picture image emphasizes the independence of artistic creation and realizes the inertial aesthetic orientation on the anti-judgment visual image. Therefore, it reflects the artist's negation of the freedom of artistic dogma. It is not the art painting form itself that dies, but the outdated painting art thoughts that are the shackles of human spirit and expression language.
When some artistic thoughts and languages go from extreme to poor, other artistic spirits and artistic languages must be replaced by rebel gestures, thus promoting the development of human cultural and artistic ideas.
October 2018

Attachment:
"Wang Hao's art creation for interpretation and interview"
Wanglonghao: I put forward the "theory of spiritual artistic creation of science and art" art concept: art and science are connected, are the process of human understanding of the universe and life, but the method is different, one tends to be rational and one tends to be emotional. The reason why human beings are great is because of their spirituality. What art needs most is a natural personality. If the experience and feeling immersed in the objective material world away from the spirit is one-sided, it is destined to fall into the so-called mainstream culture "craftsman" category of playing skills. For pursuing the spiritual representation of art, exploring the nature of life in the universe and the inner world of mankind is the true purpose and direction of artistic creation. Spiritual artistic creation requires the freedom of thought and artistic expression and creative behavior. The artistic representation of thinking that represents the existence of life in the multi-dimensional universe can also be considered as the forerunner of human beings 'pursuit of scientific progress.
"Wang Yi Yi Yi Shu Jian Li"
Wanglonghao, Bachelor of Arts, graduated from the Sichuan Academy of Fine Arts with a major in oil painting, graduated from the Tianjin Academy of Fine Arts with a high-level oil painting course, president of the Beijing China Contemporary Art Alliance Spiritual Arts Society, member of the Chinese People's Network Painting and Calligraphy Academic Committee, Chinese New Wild Artist, Arts Consultant of the Fortune Elite Chamber of Commerce, member of the China Contemporary Art Alliance, The founder of "Spiritual Art Space", Dean of the Chinese Academy of Oriented Culture and Art, and member of the Chongqing Artists Association, won the honor of Chinese artist Baijie in 2009. His works participated in the National Art Calligraphy Photography Exhibition in 2011 and won the second prize of national art works. The works were exhibited in the National Museum of China. In 2012, his works won the government art award "Wujiang Literature and Art Award". His works were compiled into the "Chinese Contemporary Art Literature" in 2013 and 2014. In 2015, he participated in the "2015 World Tour Exhibition of Chinese New Wild Artists"(New York, United States). In 2015, his works participated in the "Venice Biennale • Creation Identity Exhibition"(Venice). In 2016, he won the first prize for the National Exhibition of Art Works of the Sword and the Gourmet Heart. In 2017, he participated in the National Exhibition of the Chinese Contemporary Art Union. Excellence Award(Upper International Art Museum), In 2018, the country's 1 million public votes were selected as China's most creative artists and won the second place in the country. In 2018, they were specially invited by Chinese artists from the United States, the United Kingdom, and Sydney, Australia and other overseas media. Some of their works were successively produced by domestic and foreign art institutions. Foundation, luxury art club, Corporate elite Chamber of commerce and high-end collectors collection.

 "Wang Hao's participation in the art exhibition calendar"
In 2007, Sichuan Academy of Fine Arts University Portrait Exhibition Excellence Award works selected in the professional album(Sichuan Academy of Fine Arts)
In 2007, Sichuan Academy of Fine Arts University's biographic exhibition "Women" works were collected by the college(Sichuan Academy of Fine Arts)
Since 2007, 20 works have been selected for the Art Data Online Gallery(Art Data Network)
From 2007 to the present, 30 works have been selected for the Sarch Art Gallery Online Art Exhibition in the United Kingdom(Sarch Art Network in the United Kingdom)
In 2008, he participated in the sketch exhibition of the Sichuan Academy of Fine Arts. His works "Inside and Outside" series 5 pieces(Chongqing Art Museum-Chongqing)
2009 Selected in the "Chinese Artist Yearbook 2009"(Beijing)
In 2009, he was selected as the "13th Sichuan Academy of Fine Arts Annual Exhibition" and won the third prize(Chongqing Art Museum-Chongqing)
2009 Selected in Impression China(Art Magazine)
In 2009, he was selected as "We 2009-Huangjueping's Annual Art Exhibition"(108 Art Space-Chongqing)
In 2009, he was selected as "National Art Exhibition Chongqing Selection Exhibition"(Chongqing Art Museum-Chongqing)
In 2009, he was selected as "108 Art Space Autumn Exhibition"(108 Art Space -- Chongqing)
In 2009, he was selected as "2009 National Calligraphy and Painting Top 100 Artists"(People's Network-Beijing)
In 2009, he participated in the "Afro-Artwork Invitation Exhibition"(108 Art Space-Chongqing)
In 2010, he was selected as the "14th Sichuan Academy of Fine Arts Annual Exhibition"(Tank Library Art Base-Chongqing)
In 2010, he was selected as "Sichuan Fine Arts Academy Celebration Exhibition"(501 Art Space-Chongqing)
In 2010, he was selected as "We 2010-Huangjueping's Annual Art Exhibition"(Huangjueping Art Museum-Chongqing)
In 2011, he was selected as "Chongqing Huangjueping's Third Art Exhibition 2011"(Chongqing Huangjueping Art District)
In 2011, he won the second prize of the National Art Exhibition. His works were exhibited at the National Museum of China in 2011(Beijing National Museum).
In 2012, his works were selected as "Chinese Contemporary Artist Celebrity Dictionary"(Beijing Art Publishing House)
In 2012, his works were selected as "Chinese Painter Yearbook"(China Painting and Painting Publishing House)
2012 Works to participate in Chongqing Wujiang Art Works Invitation Exhibition(Chongqing Binjiang Art Museum)
In 2012, he was invited to participate in Chengdu Qingchengshan "Shanwai Mountain" contemporary high-end art academic seminar activities(Chengdu Shanweishan Art Museum)
In 2013, he was invited to participate in the Xindu Art Museum "Southwest Young Artist Invitation Exhibition"(Sichuan Xindu Art Museum)
In 2013, his works were selected to participate in "China Dream-China Youth Art Exhibition"(Tianjin, China)
2013 Works selected for "2013 Chongqing Art Exhibition"(Chongqing Art Museum-Chongqing)
Selected in 2013 in "China Dog Industry Magazine"(China Working Dog Magazine-Nanjing)
In 2013, the author and works were compiled into the 2013 "List of Chinese Painters and Painters"(Chinese Painters List Magazine-Beijing)
In 2013, the author participated in the "Museum of Fine Painting and Calligraphy Exhibition"(Chongqing Binjiang Art Museum)
2013 Works participated in the "Chongqing 2013 Fourth Art Festival Outstanding Art Exhibition"(Chongqing Art Museum)
In 2013, his works were compiled into "Chinese Contemporary Art Literature"(Hubei Fine Arts Publishing House)
In 2014, the works were compiled into the 2013 "Chinese Painters List"(China Federation Press)
2014 Works Into 2014 "New Wild Art Magazine"(China Calligraphy and Painting Art Magazine Press)
2014 Works participated in the 2014 Season 2 Season 3 Season 3 Invitation Exhibition of China New Wild Art Group(Beijing Rodin International Art Museum)
2014 Works to participate in the 2014 "Guangdong Art Festival Invitation Exhibition"(Guangzhou Art Expo)
2015 works participated in "China New Wild Art Group Artist Works 2015 World Tour Exhibition"(New York, United States)
In 2015, his works participated in the first micro-exhibition of the "Faith and Reason" of the Sky Hunting Art Museum(Beijing Sky Hunting Art Museum)
In 2015, his works participated in the "National Performing Arts" National Internet plus online 36 city tour art exhibitions(36 cities such as Beijing, Shanghai, Hong Kong, Macau, and Taiwan)
2015 works participated in the 2015 Venice Biennale • Creation Identity Exhibition(Venice)
The 2015 work "Spiritual Landscape" was collected by Chongqing Binjiang Art Museum
In 2016, he was selected as the 2015 National Artist of the Year.
2016 works selected for the "Wilderness Oil Exhibition"(domestic Internet + online)
In 2016, his works were selected for the "Face and Face" Contemporary Youth Oil Painting Exhibition(Zhejiang Art Museum)
2017 works won the legendary "Wenhua Award"
2017 Works won the first prize of the National "Sword and Gallbladder Heart" artwork(National Tour Exhibition)
2017 Works participated in the National "2017 China Contemporary Art Alliance Annual Exhibition" Excellence Award(Beijing Shangshang International Art Museum)
2018 Participated in artbank Artist International Promotion Exhibition "International Media"
2018 works participate in the art world "China Abstract Power 30 Exhibition" "China Art News"
2018 Works Participated in 2018 Chinese and Foreign Contemporary Artists Beijing Summer Art Exhibition "Beijing NL Art Museum"
In 2018, his works participated in the 1 million public votes in the country and was selected as the most creative artist in China and won the second place in the country.
In 2018, he was selected as a special Chinese artist in Sydney, Australia.
2018 China "Art Channel" interview, Phoenix, Sohu and other art channels personal art creation special report.
In 2018, the professional platform of the Chinese art collection, "The Hundreds of Makers", interviewed famous artists 'works for promotion.

 

 

作者:香港新闻通讯社 来源:香港新闻通讯社

 

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